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Kurzkurse
VOCALS
VOCALS
Vocals | Mixing & Production | Sounddesign
Kapitel
Preface
The Human Voice in Audio Productions
Types of Vocal Productions
Development of Recording Techniques
Typical Recording Techniques
Simultaneous Live Performance
The Overdub Recording Technique
One-take Recordings or Part by Part
The Human Voice
Three Phases of Phonation
Formants
Dynamic Range
Signal Path for Vocal Recording
The Singer / Voice Actor (Signal Source)
Microphone
Room
Signal Preamplification
Signal Conversion and Recording
Processing the Vocal Signal
Recording Rooms for Vocal Recordings
Processing During Recording
Exercise 1
The Microphone – Converter Principles
Dynamic Microphones
Condenser Microphones
Ribbon Microphones
Circuits in Microphones
Polar Patterns
PAD Switch
High-Pass / Low-Cut
Spec Sheets / Technical Data of Microphones
Frequency Response
Sensitivity
Maximum Sound Pressure Level
Output Impedance
Equivalent Noise Level
Other Specifications
Digital Microphones
Tube vs Transistor Microphones
Microphone Selection
Comparison
Recording with Multiple Microphones
Microphone Accessories
Stands and Shock Mounts
Pop Filter / Windscreen
Music Stands
Micscreens
Exercise 2
Preamplification
Preamp Voodoo
Tube vs Transistor Preamps
Channel Strips
Input Modules
Equalizers
Dynamics Processors
Other Features
Preparation
Microphone Placement
Moving in Front of the Microphone
Sheet Music or Lyrics
Monitoring
Headphone Monitoring
Creating a Monitor Mix
Monitor Mixes via Sends
Headphone Amplifier
More Alternatives for Headphone Mixes
Effects in the Headphone Mix
Recording Preparation
Latencies
The Recording Session
Vocal Recording in the Control Room
Dedicated DAW Session for Vocal Recording
Recording Levels / Adjusting Levels
Practical Tips & Tricks
Pre Roll, Punch In and Loop Recording
Working with a Vocalist
Breaks – Relaxing the Voice
Recording Choirs
Completing the Recording
Exercise 3
Editing - Postprocessing Recordings
Destructive and Non-destructive Work
Viewing and Selecting the Best Takes
Track Comping
Audio Restoration
DC Offset
Normalising
Mixing - Technical and Creative Sound Processing
Embedding in the Mix
The Equalizer (EQ)
Low-Cut Filtering
EQ in the Bass Range
EQ Processing in the Low-mid Range
EQ Processing in the High-mid Range
EQ Processing in the High Range (Air)
Individual EQ Processing
Different Equaliser Types
Dynamic EQ
The Compressor/Limiter
Basic Compressor Settings
Hard Knee and Soft Knee
Limiting
De-Esser
Automation Options in the DAW
Spatiality in the Mix
Algorithmic Reverb
Convolution Reverb
Plate Reverb
Reverb Selection for Vocals
Tips for Processing Vocal Reverb
Delay (Echo)
Tape Delay
Multi-Tap Delay
Multi-Effect Delay
Cross-Routing Reverb and Delay
Other Send-Effects
Exercise 4
Pitch Correction
Manual Pitch Correction
Auto-Tune
Why Make Corrections Anyway?
ARA 2
Tips and Tricks for Vocal Processing
Parallel Compression and Parallel Processing
Panning – Centre, Left or Right?
Doubling
Audio alignment
Special Cases in Vocal Production
Vocals in Hip-Hop and Rap
Beatboxing
Growling, Grunting, Screaming & co.
Choral Vocals
Recording Speech
Forms of Speech Production
Spatial Requirements for Speech Recordings
The Right Microphone
In the Speaker's Room During Recording
Mixing of Voice Recordings
Breathing and Pauses
Professional Speakers and Guidance by a Director
Radio Plays
Production Examples of Speech Recordings
Artistic Effects Processing
Classic Modulation Effects – Chorus, Flanger, Phaser
Creative Vocal Sound Design
Voices of Monsters and Robots
Vocaloid - Speech and Singing Synthesis
Inspiration at the End
Personal Sound Vision
It's All About Emotion
Exercise 5
Solutions to the Exercises
Final Exercises
Feedback
Bibliography
Kontakt
eMail:
[email protected]
Telefon:
07251 3472-222
Web:
hofa-college.de
Downloads
Final Exercise 1 Vocal Mix
Final Exercise 2 Vocal Tuning
Final Exercise 3 Audio Book
Sound Examples