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Kurse
BASIC
PRO
Kurzkurse
Campus-TV
Guides
Akustische Messungen Teil 1
Akustische Messungen Teil 2 - Lautsprecher Abstimmen
Akustische Messungen Teil 3 - Raumakustische Messungen in Regieräumen
HOFA Guide DJ-Kopfhörer
MIDI Basics
Mikrofonarten
Monitorboxen Check
Raumakustik - Die wichtigsten Schritte
Richtcharakteristik
Tipps & Tricks
EDU-Konditionen
HOFA Dokus
HOFA Tools
Interviews
Mikrofonvergleich: Akustikgitarre
Mikrofonvergleich: Gitarrenverstärker
Technisches Hören: EQ
Top Freeware Tools
Top Persönlich
Libraries
HOFA Impulsantworten
HOFA Optionale Mixdowns
HOFA Sample-Library
HOFA Testtöne
HOFA Wallpapers
Kontakt
Aktionen
Erste Schritte
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Kurzkurse
LIVE SOUND ENGINEERING
LIVE SOUND ENGINEERING
Kapitel
Preface
Quick Start Guide
PA History
Ancient Times Set the Direction
Pioneering Work in the 19th & 20th Century
Microphones in the Course of Time
From Loudspeakers to Large PAs
Modern Public Address Systems
What is Required for Sound Reinforcement?
Venue
Signal Sources & Sound Generators
Sound Reception | Sound Transducer
Mixing Console
PA System
Monitoring
Measuring Equipment
Signal Transmission
Power Supply
Stagecraft
People Involved
Everything at a Glance
Sound Reinforcement Technology
Live Sound – a Matter of Acoustics?
Front PA
Specific Sound Reinforcement Setups
Stage Sound
Test Yourself! – I
Public Address Systems
Requirements & Criteria
Loudspeakers
Frequency Crossovers
Multi-way Speakers
Active Systems | Passive Systems
Amping
Fixed Installations
Stack Systems
Array Systems
Fill Systems
Monitor Systems
Test Yourself! – II
Subwoofer Setup
Quantity & Directivity
Single Subwoofer Configuration
Dual Subwoofer Configuration
Cardioid Subwoofer Array
Central Cluster Array
Straight Line Array
Curved Bass Array
End Fire Array
Flying Subwoofers
Test Yourself! – III
Signal Transmission | Signal Processing
Analog Signal Transmission
Cables & Connectors (Analog)
Digital Signal Transmission
Formats & Interfaces
Cables & Connectors (Digital)
Audio Networks
Wireless Systems
Signal Levels
Impedance & Balancing
Delay Lines
Power Supply
Test Yourself! – IV
Microphones | Microphone Practice
Microphone Types
Polar Patterns
Basics of Miking
Drums & Percussion
Guitar & Bass
Keyboard Instruments
Strings & Wind Instruments
Vocals & Speech
Choirs
Theatre & Musical
Test Yourself! – V
Mixing Consoles
Tasks of the Mixing Console
Analog or Digital?
Basic Structure
Signal Flow from A to Z
Input Section
Filter | EQ
Auxiliaries
Panorama & Fader
Useful Help Functions
Routing & Subgroups
Output Section
Digital Mixing Consoles
Selections & Channels
Layers & Menus
Connections & Stage Box
Digital Workflow
Remote-controlled Mixing
Mixing with Plugins
Test Yourself! – VI
Event Organisation & Preparation
Venue & Inventory List
Backline
Technical Rider
Stage Plan
Production Process
Measurement & Measurement Technology
Calibrating the PA
Ringing out Monitors
Sound Level Measurement
Test Yourself! – VII
Soundcheck & Mix
Miking & Channel Allocation
Soundcheck | Line Check
FOH Mix
Monitor Mix
Test Yourself! – VIII
Live Recording
Stereo Recording
Multitrack Recording
Recording Media
Test Yourself! – IX
Event Technology | Event Security
Trusses
Loads Over People
Lifting Means
Venue Regulations
Test Yourself! – X
Interviews
Sascha Kohl
David Hefti
Claudio Jans
Solutions to the Exercises
Test Yourself! – Solutions
Exercises
Final Exercises
Closing Words
Bibliography
Kontakt
eMail:
[email protected]
Telefon:
07251 3472-222
Web:
hofa-college.de
Downloads
Exercises
Exercises - Solutions
Final Exercise 1 - Monitor Mix
Final Exercise 2 - FOH Mix 1
Final Exercise 2 - FOH Mix 2
Sound Examples