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Kurzkurse
MASTERING
MASTERING
Visions | Pre-Mastering | Sound Shaping
Kapitel
Preface
What is Mastering?
Explanation of Terms and Symbols
Practical Work at HOFA-College
Analysis & Initiative
The Process
Pre-mastering
Technical Pre-mastering
Artistic Pre-mastering
Philosophy
Updates and Feedback
Expectations and Vision
Definitions of Terms
Master It Yourself
Mastering as a Service
Mastering as a Repair
Back to the Mix
The Mix - the Foundation for Mastering
History and Development of Mastering
History of Mastering
Development of Mastering
Hybrid / Analog Mastering
Mastering in the Mixing Session
Monitoring Environment
Speaker Placement
The Control Room
Room Acoustics Optimisations
Room Acoustics Measurement
Mastering with Headphones
The Human Hearing
Monitoring Levels and K-system
Measuring the Monitoring Level in the Studio
Tips for Monitoring
Breaks & Form on the Day
Mastering in Practice - Step by Step
A/B Comparison
File Formats & Properties
Waveform Check
First Impressions
Reference
Metering & Units
Frequency Response & Analyser
Frequency Processing
Technical Corrections
Compression
Reverb
Saturation
Stereo Widening
M/S Processing
Limiting
Automation
Fades & File Length
Comparing Parameters
Export Process, Formats & Target Media
Dithering & Noise Shaping
Final Listening
Summary
File Management
Data Transfer
Loudness War
Retrospect
Actions & Initiatives
Status Quo
Summary
Outlook
Album / EP Mastering
DDP Image
Stem Mastering
Stem Mastering in Practice
Native Instruments Stems
Mastered for...
CD - Red Book Standard
Vinyl
Digital Release
The Club
The Radio
Restoration
Remastering
The Future of Mastering
Analog vs Digital
Automatic Mastering Algorithms
Market Analysis & Buying Behaviour
Interviews
Jürgen Lusky
Andres Klein aka aUtOdiDakT / Ackermann
Jochen Sachse
Final Exercises
Closing Words
Feedback
Bibliography
Kontakt
eMail:
[email protected]
Telefon:
07251 3472-222
Web:
hofa-college.de
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Exercises
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